Friday, December 19, 2008

Finding Buried Plot Jewels

Every fiction writer desires to come up with a good solid plot for their work. Plot is what makes stories alluring and riveting. Concepts can be simple and linear or outlandish and bizarre, full of complexity and depth. Sometimes as a reader, you come across a book and think, I wish I’d thought of that. Don’t focus on what you didn’t write, focus on the ideas out there ready to be discovered. Where can you find great plot ideas? All around you. Here are some of the best spots for inspiration.
The News ~ Ripped from the headlines. They do it on Law & Order. Sometimes life truly is stranger than fiction. Be there when it happens. Read or watch the news with your creative ears perked and pen in hand. I do. I’m always looking for interesting facts. Sometimes a little tidbit, an event, a crazy thing someone did or a fascinating person gets my attention. All of a sudden my mind starts cranking out ideas. Create a bookmark folder for articles you find while net surfing or keep a notebook handy so you can jot down those things that enthrall you.
Little Ideas ~ Little ideas may not be big enough for a novel-length story, but they can be used to add depth to a bigger plot or bond together to make a big plot. Write down all your random thoughts and ideas. Mismatched ideas are great. Like a box of fabric scraps, left in the box, that’s all they are, but when put together with other scraps, they can form something of artistic substance. Little ideas can become big ideas with some tweaking. Dreams ~ Plots are calling you from that place where reality meets fantasy, where symbolism emerges on a grand scale, where things may or may not make sense. For Kings & Queens I had this idea for a love triangle but no plot to wrap around it. Then one night I had this dream I was running, for exercise not out of fear, and I overheard these guys planning a church massacre. They chased me to this little town. In that dream, I found the seed for my plot and my setting. Stephenie Meyer found her plot and characters for Twilight in a dream. The odd realm that finds us in our own minds during sleep is one of the greatest springboards for inspiration. So when you dream, use the most wondrous and weird elements as a starting point. That's all I had was a tiny dream-birthed seed, one idea, and the more I worked on my book, the larger the concept became, taking my storyline to unexpected, wonderful, horrific heights.
Characters ~ You can find plot by delving into the motivation and goals of your characters. Once you have a solid character, pick his or her brain. Get close and personal. When you find out what they truly want, put up obstacles so they can't readily reach their goals. This establishes your story question and creates conflict, which makes for a gripping read. Will he find his long lost love? Will she get that one day of peace she craves? Will they be able to mend their splintered marriage? Good, well-developed characters drive stories and come with ideas of their own.
Books ~ When you finish a novel you particularly enjoyed, dissect what made it most compelling. Was it the concept, the twist at the end? The way the author was meticulous on the details? Once you pinpoint what you loved about it, brainstorm your own ideas, characters, concepts, etc. Blend the fascinating and sound techniques of several books and fashion your own great idea. I liked the twist at the end of John Grisham's The Partner. I didn’t write anything close to a legal thriller, but I had that kind of twisty end in mine when I penned Kings & Queens. Borrow and blend.
Villains ~ Sometimes the evil spark comes first. Let's say your own Hannibal Lecter is firmly established. Fascinating. Grotesque. Cool. Hot with the ladies. PETA spokesman. Serial killer with peppermint breath. What’s his motivation? Find out what he wants and create a protag to contrast that. Who will get in his way, challenge him, tickle his imagination, piss him off, turn him on? Your plot can be found in him. Technology ~ Projections for medical and scientific breakthroughs can open up a bunch of what-if questions and plot possibilities. Asking questions is an awesome way to spawn ideas and crank out a plot. So research some geeky stuff with your pen in hand.
Story concepts are all around you, in every nook and cranny of life. Look for and find the things that fascinate you and write about them in only the way that you can. Then readers will be saying, I wish I'd thought of that.
~ Signing off and sending out cyber hugs.

Thursday, December 18, 2008

Leaping into Disorder & Chaos

I'm at a juncture in my sequel writing where I'm ready to skip two scenes. One is a party with teens and I'm just not in the mood to do a bunch of mini character sketches so I can fluff out the scene. I just want to drive forward and get to more of the plot stuff. I know what I want to happen at this party and have that in mind, but do not have the interest in writing it, at present. And also in the same chapter, I have this other scene with a amnesiac hired gun getting a call for his next target that I'm not in the mood to write. My inspiration is calling me elsewhere, further down in the book. So, I'm going to make the leap.

I have worked out of order in the past and when I've jumped to the spots that were churning in my mind and tugging at me emotionally, even though I was far from getting to them in my story, I ended up creating some of my best work. If I had waited, I would've lost something in the quality I just know it.

In Kings & Queens, a suspense novel I wrote with a romantic center, I had this idea for a love triangle and I knew exactly who I wanted to end up together. But when I got two chapters in, I knew I was wrong about the couple and that two different people belonged together. So excited was I at this new discovery, I jumped to the second to last chapter and wrote a heart-wrenching fallout. I cried as I wrote it because I had just found this beautiful love and then destroyed it. I'm pretty demented and sadistic, huh? That's what makes good fiction though. Conflict. Heartbreak. The possibility that things won't work out as planned or desired.

After writing that scene, I wrote my last chapter, my epilogue, because I needed to know exactly how it ended and my epiphany had changed everything. My novel is very twisty and complex with various interwoven threads and at least twelve minor story questions/mysteries that are woven around the main story question. I needed an endzone before penning the rest so I could know what plays and moves I needed to engage to get there successfully.

By jumping out of order and going with the raw passion in the moment rather than sticking to step-by-step rigidity, I created a work I am certain is so much stronger than it would've been had I waited. I would've lost some of the sadness, some of the sweetness and overlooked characters who were only meant to be fillers or obstacles.

Work in whatever way is best for you, but if your pen is itching to jump around, don't be afraid to break free and do it. If you end up with junk, that's what revision is for. But more than likely you'll end up with the best stuff you've ever written because it's birthed out of pure inspiration and burning drive. If you ignore the call and wait, you could lose your grasp on what was once vital, raw, captivating, energetic, ecstatic and heartbreaking in your mind. You'll have a scene certainly, but it won't be as good as the one you originally envisioned and maybe you won't even realize why. You'll just know it's lacking somehow, that it's not everything it could and should have been.

Movie directors generally don't film chronologically. Break out of your structured ways if your story or your pen or your characters is demanding it. Get chaotic and crazy. Go with your gut and your heart, even if it's not the way you normally work. When there's unrest and pull, it's for a reason. You shouldn't ignore it. You could lose out. Follow your passionate urgency. Just write.

~Signing off and sending out cyber hugs.

Monday, December 8, 2008

904963365_4f1e2b9a0d_mIt's refreshing and uplifting when you're able to find the humor that's around you and greater depth and meaning in things. The music of Pink Floyd, for instance, sounds about as trippy as Strawberry Fields but it contains shades of sorrow and joy, irony and societal satire and commentary that is difficult to appreciate and notice at first listen. It's not exactly drug music, it's art. You can infuse and braid and paint multiple layers into your works to create greater texture, secrets for the setting/town that are uncovered little by little, codes to be unlocked, dark humor, irony, satirical statements, mini plots that weave in and out of your main plot.


My dad's mom died in 1994, a couple days after my graduation from college. She was my last living grandparent, so it was especially tough. Old ladies kept coming up to my sister and I at the wake, telling us how much Blanche adored us, her granddaughters, and that she spoke of us often and that we were like gold to her. Problem was, our grandmother's name was Rose not Blanche. "Oh no," I said to my sister. "These poor old ladies are at the wrong funeral." We laughed and laughed. As it turned out, our grandmother's nickname was Blanche, which we never knew. You learn something new every day they say, and sometimes that something new can be funny. I've had several circumstances that were not the best to to go through but my warped sense of humor kept me positive and laughing.


When I was twenty, I went white water rafting with some college friends, and it was far more life-threatening than it should have been. The outfit we went with only had one guide for ten rafts and we had wet suits and life vests but no helmets. Our raft had a 400-pound guy and three skinny chicks. With two people on one side and two on the other, we were little bit ill-proportioned. Not trying to be mean. That's just a fact. Our combine weight was not even as much as this one guy's.

The one guide kept yelling at everyone in the various rafts to row together. Um, does anyone know what happens when there's far more strength on one side versus the other? Anyone? Anyone? Yes. That's right. Circles!!!!! You go in circles. Not forward. But around...In circles or you hardly move at all. Hello! Even an inexperienced rafter, who's done little more than canoing knows this. Most groups were fine rowing together but not ours. The guide was a complete moron. My friends and I kept yelling at each other about how to best proceed FORWARD. We finally found success with two strokes on one side for one on the other.

During the more rapid rapids, we half-capsized and three out of four of us fell out. The big guy and my friend had to be pulled to the shore. I tried to climb back in, but I could hardly move. The shock, the cold? I'm not sure. But I couldn't climb back in and my friend couldn't lift me back in without having the raft flip on us. We managed to push the raft to a large rock and I was able to climb up and in. This was a perilous moment, falling into a frigid river, having all my energy zapped in a snap, but I couldn't stop laughing the whole time. My friend was crying and then started cracking up too. It was just so insane and the danger made rafting ultra-adventurous. Any breaks from the mundane excite me. It wasn't the best way to go rafting, and I don't want to repeat it, but it was a blast anyway. If I just say to my friend 2-for-1, even to this day, she knows what it means and laughs.


As a writer, if you choose to maintain a lighthearted view of life and try to find humor during rough patches or the rich details beneath surface material, you'll not only stay more sane, you're also able to give new dimension to your writing. As long as the things you write flow in the story, it's okay to weave in undercurrents and nods for things, tiny treasures to be unearthed.


For instance, I am a Red Sox fan, so my main characters in Kings & Queens are also Red Sox fans. One of my character's had a dog named Dewey (Forgot to note the significance. haha. Dwight Evans, for those that don't know) and Carlton Fisk's name pops up a few times (one of the best catchers ever). The two jersey numbers worn by Fisk during his career tie into the plot and I refer to Don Mattingly as being from the Evil Empire. Most readers will gloss over these details, but they're there for savvy fans to find.

In the 80's when Family Ties and Growing Pains were on air, Michael J. Fox and Kirk Cameron had an on-going competition with one another to see how many times they could spin in any given episode. Would any viewer even give the spinning a second thought? No. It's a private joke between them. That's funny and cool.

Not everyone sees the richness in the music of Pink Floyd. Don't be afraid to bury those deeper nuances, details and angles into your work for a few select readers to discover and appreciate. For keen eyes and minds, your hidden jewels will make the read all the more enjoyable.

~ Signing off and sending out cyber hugs.

Sneaking in Some Depth

It's refreshing and uplifting when you're able to find the humor that's around you and greater depth and meaning in things. The music of Pink Floyd, for instance, sounds about as trippy as Strawberry Fields but it contains shades of sorrow and joy, irony and societal satire and commentary that is difficult to appreciate and notice at first listen. It's not exactly drug music, it's art. You can infuse and braid and paint multiple layers into your works to create greater texture, secrets for the setting/town that are uncovered little by little, codes to be unlocked, dark humor, irony, satirical statements, mini plots that weave in and out of your main plot.

My dad's mom died in 1994, a couple days after my graduation from college. She was my last living grandparent, so it was especially tough. Old ladies kept coming up to my sister and I at the wake, telling us how much Blanche adored us, her granddaughters, and that she spoke of us often and that we were like gold to her. Problem was, our grandmother's name was Rose not Blanche. "Oh no," I said to my sister. "These poor old ladies are at the wrong funeral." We laughed and laughed. As it turned out, our grandmother's nickname was Blanche, which we never knew. You learn something new every day they say, and sometimes that something new can be funny. I've had several circumstances that were not the best to to go through but my warped sense of humor kept me positive and laughing.

When I was twenty, I went white water rafting with some college friends, and it was far more life-threatening than it should have been. The outfit we went with only had one guide for ten rafts and we had wet suits and life vests but no helmets. Our raft had a 400-pound guy and three skinny chicks. With two people on one side and two on the other, we were little bit ill-proportioned. Not trying to be mean. That's just a fact. Our combine weight was not even as much as this one guy's.

The one guide kept yelling at everyone in the various rafts to row together. Um, does anyone know what happens when there's far more strength on one side versus the other? Anyone? Anyone? Yes. That's right. Circles!!!!! You go in circles. Not forward. But around...In circles or you hardly move at all. Hello! Even an inexperienced rafter, who's done little more than canoing knows this. Most groups were fine rowing together but not ours. The guide was a complete moron. My friends and I kept yelling at each other about how to best proceed FORWARD. We finally found success with two strokes on one side for one on the other.

During the more rapid rapids, we half-capsized and three out of four of us fell out. The big guy and my friend had to be pulled to the shore. I tried to climb back in, but I could hardly move. The shock, the cold? I'm not sure. But I couldn't climb back in and my friend couldn't lift me back in without having the raft flip on us. We managed to push the raft to a large rock and I was able to climb up and in. This was a perilous moment, falling into a frigid river, having all my energy zapped in a snap, but I couldn't stop laughing the whole time. My friend was crying and then started cracking up too. It was just so insane and the danger made rafting ultra-adventurous. Any breaks from the mundane excite me. It wasn't the best way to go rafting, and I don't want to repeat it, but it was a blast anyway. If I just say to my friend 2-for-1, even to this day, she knows what it means and laughs.

As a writer, if you choose to maintain a lighthearted view of life and try to find humor during rough patches or the rich details beneath surface material, you'll not only stay more sane, you're also able to give new dimension to your writing. As long as the things you write flow in the story, it's okay to weave in undercurrents and nods for things, tiny treasures to be unearthed.

For instance, I am a Red Sox fan, so my main characters in Kings & Queens are also Red Sox fans. One of my character's had a dog named Dewey (Forgot to note the significance. haha. Dwight Evans, for those that don't know) and Carlton Fisk's name pops up a few times (one of the best catchers ever). The two jersey numbers worn by Fisk during his career tie into the plot and I refer to Don Mattingly as being from the Evil Empire. Most readers will gloss over these details, but they're there for savvy fans to find.

In the 80's when Family Ties and Growing Pains were on air, Michael J. Fox and Kirk Cameron had an on-going competition with one another to see how many times they could spin in any given episode. Would any viewer even give the spinning a second thought? No. It's a private joke between them. That's funny and cool.

Not everyone sees the richness in the music of Pink Floyd. Don't be afraid to bury those deeper nuances, details and angles into your work for a few select readers to discover and appreciate. For keen eyes and minds, your hidden jewels will make the read all the more enjoyable.

~ Signing off and sending out cyber hugs.

Friday, November 21, 2008

My Fickle Mind

I'm forever changing my mind about my work, but once I find that melodious chord with something I've been struggling to get right, I follow that and am always happy with the end result.

I had posted an edited version of my Celebrity Vampire story here. For the contest I had 2556 words and for another contest, I stripped it down to 2000 words to fit and just put that shorter version here because it would be less words for a post, but in doing so, the piece lost the sort of seductive quality in the rhythm. It's like if you hear an original song that's so good and then hear a cover tune that's terribly tweaked, you nearly want to pull your hair out. So now, I've gone ahead and made the switch and put the original in. I like it so much better.

Over-editing can sometimes remove what you were trying to accomplish and taint the tone and texture. In my book Kings & Queens I have this one sentence in my first paragraph, "...shifting clouds wiped sunlight off her arms and buried the surrounding frenzy in shadow." Some will say, this should be simplified. And I say, no, it shouldn't. Everything in writing is not all about word economy. Being terse for the most part is important, true, but sometimes fuller strands can be used to create tone or contrast, build imagery or add a lyrical quality to the prose. I feel the verbs "wiped" and "buried" help to provide the ominous tone I want in the beginning. Originally, I did have it simplified and it sounded too bubblegum.

I'm always aiming to make my work better. Maybe some editor will like the deeper nuances the way they are in my book but maybe another would want such things stripped out. I'll certainly make some changes, but I will be greatly saddened if I am asked to soak it in acid, dumb it down and reduce into something much less than what I intended, as any artist would be if a museum said it only accept art pieces if all fine detail's removed, leaving only broad strokes.

Some people do bleed way too much ink. Compare your work to other contemporary works to see how your prose stacks up. If it fits the norm, stay the course. If it seems sludgy, too flowery, redundant, too dry, then you'll definitely need some scissors and paste for a fix. Kill your darlings. Edit, but don't over-edit. You found a rhythm and voice for a reason. Trust in your story and in your ability to tell it.

~ Signing off and sending out cyber hugs.

Saturday, November 8, 2008

Little Bitty Time Gobblers

It seems it's harder and harder to find time these days to write, of course it happens to be right when I'm trying to cram a 50,000-word stint into a month. When my daughter took a nap today, I excitedly sat down at my keyboard, knowing I'd have a good two hours, quiet hours while my sons were in school, to work on my story.

But, nope, my parents stopped by for a surprise visit because it was my mom's day off and they stayed for hours. I'd only penned about 400 words and neglected to save the upgrade so I could let them in and when my son came home, he added drawings to my story and I didn't realize it was my story and closed it. So my little bit of work for the day was gone and I'm back to yesterday's word count.

Then I cleaned some, made dinner, fed the family, gave my husband a little loving when he came home and now I'm neglecting the whole lot somewhat, not totally since they're in the room, but I'm hoping for a little bit of alone time soon so I can actually write.

Sometimes I can write with distractions all around, the TV on, the radio, kids yelling, but this Nano project is such a bizarre storyline that I'd like some peace and quiet to think through the plot I neglected to outline beforehand. I'm not really firm with my characters either, I'm just winging it all and running with sticks and nailing and gluing them together, wherever they seem to fit. I have faeries and another group of otherworldly creatures called the wanderlings in this odd romance and I've done absolutely no world building for them yet since that idea was a late addition to what was supposed to be a simple, linear plot. Yeah right. I can never do simple. I'll plug the details and meat into my story later. I'm just trying to get the stick-built house up before the deadline. The decorating and furnishings can come later.

Whoo. Now I'm off to work, hopefully. Crossing fingers. Well, just for a moment. Now I'm gettin' busy. Not that kind of busy. Get your head outta the gutter. Working. I meant working, trying to make good use of quickly dissolving time.

~ Signing off and sending out cyber hugs.

Tuesday, October 28, 2008

Writing Exercise: The Six-Word Thingy

Hemingway was famous for his six-word story: For sale: baby shoes; never worn. I decided to take up the six-word challenge and write some myself. I'm definitely not as eloquent as Hemingway, but I had fun giving it a whirl. Here are some I wrote, but they just don't hit the right emotional chord. I'll keep working on it.

Wife left, jackpot won, hardly treasure.

Procrastinator’s promise: I'll live for tomorrow.

Redeemed souls can always beat cancer.

Abandoned, then adopted, loved today, forevermore.

Amazing grace; how sweet the sound.

Flower salesman got fired, received flowers.

Young boy slew giant with rock.

Gave birth today, wept, popped balloons.

Daughter's suicide was murder via email.

Sleepers, 9/11 was an inside job.

Poison ivy not mentioned in brochure!

Jesus: liar, lunatic, Lord? Resurrection picked.

No brilliance there, but it was a fun creative exercise. Even if you're not much of a writer, you can still spin out a six-word thingy. It's easy, quick and fun. Give it a shot.

~ Signing off and sending out cyber hugs.

Saturday, October 25, 2008

My Junk Drawer

Well, my entry into the Celebrity Vampire Contest at The Next Big Writer did not win. I figured. We had to write a story about a celebrity being or becoming a vampire or a zombie. My stories are just never what's being sought. My effort has all the things that make a good vampire story, seductiveness, horror, immortality, blood, erotic undertones. I thought I did well and was so glad I created something deeper than dialogue fluff complete with ironic twinges, mostly in tying back to the title, but my fab story is basically junk now. It's not really the kind of thing that can be shopped elsewhere with it being so specific. So, I'll post it here, in a quiet, little display case in cyberspace.

* Not that it matters to anyone on the planet but me, and I don't even know if this has been read by anyone, but I had stripped out 556 words from my original story for another contest and posted that here instead of what I entered in the TNBW contest. But the nip and tuck ruined the quality of the piece I felt, so I'm putting it back the way I had it. The pace was a bit off and missing some beguilement. It's now 11-20 and I'm plunking in my old version at 2556 words instead of 2000.

~ Life in Paris ~


Streams of purple, green and turquoise light replaced red and yellow as the pit DJ’s next song selection pulsed out of the speakers. Even across the noisy, low-lit club and through the crowd of gyrating fools, Stefan drew her attention by simply mouthing her name. His power was stronger than ever because of his need to feed.

Beyond hypnotist, beyond car salesman, beyond Siren, Stefan could seduce with mere thought and beckon the most hardened soul to his, when his thirst was strong enough, like it was tonight. In his 500-and-some-odd-year existence, he’d never spotted anyone, be it royal or vagrant, with more beauty, sparkle and life. He licked his upper lip, anticipating a resurgence of life and the pure taste of her.

In his white, button-down shirt with a black Japanese flower scrolling up the left, he knew he looked sharp and straightened his collar to draw attention, but she never broke eye contact. He had her. With her eyes still locked on his, Stefan timed his steps with the bass as he made his way over to the laughing goddess. Her golden hair changed like a kaleidoscope under the spinning globes and reflected more colors than he could count.

She waved her body like a snake, one charmed to follow his mental choreography and music. He smirked. By the time she knew what was happening to her, it would be too late. He could already hear her gasp of shock and alarm, but he would muzzle her scream with the scarf in his pocket, the silk one he’d picked up at Versace just for her.

“Hi, Gorgeous,” she shouted, clutching his arm and pulling him around two entangled lesbians to stand less than a foot away from her. A mini-dress in hot pink hugged her body in much the way he hoped to. As she flipped her hair over her shoulder, a waft of jasmine, lavender and spice swirled into his nose.

“Hi. I'm Stefan. You’re Paris Hilton, right?” He shook his head, not used to the bangs in his nicely trimmed dark hair.

“Of course. Gonna ask me to dance or what?” He must have hesitated too long for her liking. “I’m used to the cat-got-cher-tongue look, but I can't stand shyness. It’s so not hot.”

He laughed and wrapped his arm around her waist, clamping her against his body. "More to your liking?"

Her eyebrows raised as did the corners of her lips. “Definitely.”

All the closer, he inhaled the fragrance in her hair, now ringing of honeysuckle in its floral bouquet, and moaned as though he’d consumed the richest chocolate. He quickly cleared his throat to cover his involuntary response.

On television and in magazines, he spotted a rare essence in her, one that drove him mad with lust. Passion for her consumed his every waking thought. He stole his way on a private jet and followed her around for days with the slink of a cat, shielded by swarms of paparazzi. Then he muscled his way in here with his aqua eyes, piercing a massive bouncer into compliance. In person, her eyes, combined with her aroma and her body pressed against his in this dirty dance, had him nearly bursting through his jeans and aching to suck her dry.

“Man. You’re smokin’ hot,” he said, trying to match his appearance of twenty-five.

She nodded while batting her lashes, long and faux. “Yeah, I know. You live around here?”

“No,” he yelled as the music picked up. “Just visiting, taking in the sights. I have business to attend to also.”

She leaned toward his ear. “Oh. That’s cool, Stef. I’m in a new movie so I’m too busy to show you around, but if you need help, I have people who do that...for my friends.”

Friends? I'm in! “Yeah. Doesn't surprise me. What’s the name of your movie?”

Dead of Night. I’m playing the head vamp in a, what’s it called, urban fantasy or something like that. I get to kick ass. Is that cool or what?”

Ha! The irony! Stefan burst out laughing, not meaning to do so right in her ear. He bit his lip.

“What’s so funny?” she said, followed by a sneer and narrow eyelids. “Don’t you think I’d make a good, ass-kicking vampire?”

“No. I’m sure you will. It’s just, uh, Hollywood never gets it right. Perception’s so narrow and wrong.”

She shrugged and circled her hand in the air like she was casting off a fly. “Whatever. I guess. I get to fly around on one of those zipping harness thingies.” Her hands shimmied down his back to his butt and she rubbed and squeezed both cheeks. “I like the way you dance. It’s hot.”

“Years of practice.”

She tilted her head and smiled. “I’ll bet. Ya wanna go somewhere to play around some? A place that’s more...private and not so noisy?”

Stefan couldn’t believe his luck. He didn’t even have to coerce her, stare her down or anything. She was asking. Maybe he'd make her like himself instead of taking all of her. They could be eternal companions. Two beautiful people…immortal…absolute perfection.

“Love to, baby,” he said. “This is crazy. I never expected to be talking to Paris Hilton let alone taking off with her. Have a place in mind?”

“We can get a room in the hotel upstairs? They totally love me here.”

“Really? You actually stay somewhere that’s not a Hilton?”

“Ha ha. Ye-es. Very funny.” She elbowed his arm and pointed to the other side of the lounge. "We can leave out the VIP exit. Come on.” She collected her hair in her fist and stripped out static electricity. He longed to lick her palm to catch any sparks. It pained him to lose out on any of her. She laced her fingers around his and appeared to look at their joined hands. “Your hands are so cold.”

He shrugged. “I know. They won’t be for long.”

“Yeah. I’ll warm you up. It's one of my many talents.”

Stefan’s pulse quickened and a dizziness filled his head. Her luscious essence intoxicated him. He couldn’t wait to get her all hot and bothered on a bed on ivory satin or something, then jam that scarf in her mouth only to see those eyes widen in a plea for mercy. Too bad she’d covered those orbs with blue lenses tonight, because the terror in her natural brown would be spectacular.

Paris ushered him to a wall, ran her hand along a seam and did something he couldn’t see. Soon the wall sprung open to reveal a hidden hallway. After they stepped into the low-lit hall, she closed the door behind them and lead him through a labyrinth of flickering, zapping florescence. The music and noise dulled behind him and faded to pulsating thumps.

After reaching the end of a hallway, they climbed an iron staircase and at the top of the landing, she opened another door, which opened directly into a hotel suite through a bookcase.

“Ta da. Welcome to my Princess Suite.”

“Wow. It’s so...perfect.”

“I know, right.” She closed the door.

Stefan had seen his share of palaces and ritzy resorts, and this stood toe-to-toe in elegance. He was right! He nearly cheered in glee. Here it was. A bed of ivory satin. So perfect for love and birth and death. Against golden walls, draperies, linens and furniture cushions gleamed in monochromatic tones of cream and beige. Paintings, vases, flowers and fruit added bursts of color as did a red and gold oriental chandelier over the bed.

He noticed a fruit platter and a bucket of chilled wine on the coffee table near the Victorian couch, which would come in handy if loosening up was needed. The more surrender in the prey, the better the essence. He shook his head in disbelief as she walked him to the bed, which shone like the purest alter for sacrifice.

Paris turned to him, her face so angelic, soft and kind. It held self-assuredness but not a hint of cockiness that jealous girls try to pin on her. "I'm not normally loose or anything, but you're totally sexy and you caught me on a horny night. My boyfriend's out of town. Hope you don't mind."

"No. We can do whatever you want. Just kiss even. I really don't care. Doesn't he mind?"

"Nope. He loves my impulsive streak and is completely understanding. He knows how I get."

Stefan drew her into a kiss and she eagerly opened her mouth for him. He explored her and caressed her tongue with his. She skillfully sucked on his offering, which stirred him to arousal, distracting him from his primary need. With her so eager, Stefan decided to quicken things. He picked her up and half-dropped her on the bed, clumsier than he'd meant to. They laughed and she yanked his head down, reconnecting their mouths, before he even had a chance to lay on top of her. He joined her on the bed and after they kissed in a frenzy of grabbing and groping, she unbuttoned his shirt and ran greedy hands along his chest and fingernails up his back.

Paris complimented him on his muscles and the feel of his skin. She flipped them over and straddled him and kissed his forehead and ears and neck as she unbuttoned and unzipped his denim fly. When her hands wandered in, he gritted his teeth and focused on the funky chandelier, trying to ignore the sensations firing off below his stomach. He had to move now. She was driving him crazy and avoiding his gaze too much.

Stefan slid his hand into his pocket and wave after wave of his fingertips, he gathered and wadded the scarf into a tight ball. He’d switch positions, pin her down and get the job done. He’d gaze into her fake-blue eyes then drink her in until she was clinging to life by a very thin thread. Maybe he’d show her mercy and give her the choice. He wanted to give her the choice. To be or not to be? That is the question of life.

She ripped away his shirt, popping the last two buttons she never bothered to undo. She devoured his chest and neck in wet kisses and bites, some sharper than others. What the hell; no harm in letting her go to town first. He grimaced and winced whenever she seemed to be going for a kill.

After she did figure-eights around his pecks with her tongue, she traveled back up to his neck. He could have sworn sharp teeth not just bit, but drove in, deep, puncturing his flesh. The anguish! He gasped and tried to scream, but his mouth was suddenly jammed with some filthy rag. A rag! Not a $3,000 scarf carefully selected to match a handbag. A rag. A stinky, used rag, drenched in Lemon Pledge.

His mortal cry emitted as a sour note from the distant depths of hell. Pain threatened to burst his head and heart. Breath evaded his flaring nostrils. She was draining him faster than he could regenerate and replenish. He fought to push her off himself, but her strength was unbreakable and he weakened more with each second. His arms felt glued to the bedspread. He clammed his eyes shut as blood burned like scorching fire, racing through and leaving his veins, replaced with an icy chill. She drank not just his life-force but his essence and his supposed immortality. The scent of earth and iron choked him.

A jostle at the door and a solid bang into the wall made him jolt and peek through his heavy lids. Paris pulled away from her task to look, her mouth framed with glorious red. No spectacle or wonder on earth, and he’d seen countless, had ever awed him more than that. He longed to kiss her lips again and taste his own essence mixed with hers. Must be like honey straight from the hive.

“Huuuukkk!” rattled the blond, who'd entered through the actual door. “Finally! I've been looking all over for you...Fabulous! Another one? Thought you said you were good to go for a week or so.”

“Yeah. But he’s a psychic vampire. Unbelievable! Gotta be at least 500, Nic.

Nic? Right. Lionel's anorexic brat.

Paris waved her hand and said, “Do you know how rare one like this is? He’s absorbed so much beauty and energy in his lifetime…only to be a gift for me. The tastiest thing ever. I’m feeling kind of generous. Want some?”

“Hell no! I’d never take your crappy scraps. I was able to snag a sitter. Hurry up, bitch. A bunch of us are going to The Green Door.”

"Kay. Gimme a sec."

Nicole left the suite as noisily as she’d entered.

“Sorry about the interruption, Gorgeous. She really needs to get her own lair. I tell her all the time to knock, but she freakin’ never does! Uuhh! Hate her sometimes.”

He tried to speak but lemony dirt swallowed his one word.

She ungagged his mouth. “What, hun?”

He gasped for hair, his lungs seizing as much as possible. “Question,” he muttered.

“What? I can't hear,” she said with her eyes squinted. She bent down, putting her ear close to his mouth. He stretched his tongue and licked the blood at the corner of her lips.

She jerked away and slapped his chest. “No, no. Uh-uhn, bad boy.”

“Do I get....mercy?”

“Sure, baby. I’m totally sweet like that.” She returned to his neck, taking a fresh bite. He screamed but it exited as a hoarse, girly shrill. His mind zipped back to that day forever ago at age twelve when his uncle showed him the secret of total energy absorption, which would allow him to never get sick, heal rapidly and live forever. Forever? What a joke! His youth spent gathering energy here and there from any passerby had been child's play. He'd waited until the perfect age in adulthood to partake in a total feed, to drain a human of life to prolong and improve his own. He froze. He'd forgotten age. He’d forgotten love. He'd forgotten time, pain and the fear of death. And he felt them all in this moment.

Paris slid off him, wiped her mouth with the back of her hand and licked off the blood.

To be or not to be? “Thank...you,” he whispered as she straightened her dress with a shimmy.

“I know, right?" She waved her fingertips and blew him a kiss. "Bye, Gorgeous. That was hot. Thanks for the party.” She flipped open her phone, and after a moment, said, “Jimmy! Need another clean up, but give him ten...Yes! A spectacular feast...No, not that messy. Thanks so much. Mwah. You’re the best.” She sashayed to the door, hips and arms swaying. She looked energized and refreshed, somehow more beautiful than before.

The taste of their mixed essence clung to his tongue like nectar of the gods. The lights went off, the door closed, and darkness engulfed him, signaling his earthly exeunt. He closed his eyes. His body suddenly felt as old as it was. The minimal blood that was still in his decaying shell pooled in his throat and lungs. He was drowning. His skin wrinkled and pulled taught. His bones splintered and snapped, tearing through muscle. He fell and kept falling into some abyss. He couldn’t scream. He wanted to sing and rejoice. On a bed of ivory satin, he lay dying in agony, and he never felt more alive. To be.

~ Signing off and sending out cyber hugs.

Thursday, October 23, 2008

What's Not to Get???

From the age a person learns language, questions are quick to arise. Questions about life, nature, God, etc. And no matter how old or intelligent you are, there will always remain things that baffle the mind.

Although I love just about every sport with a passion, okay, a borderline obsession, you're sooo right, I’m not a fan of NASCAR. Not in any way. My extended family is huge into it, HUGE, crazy rednecks that they are. They go down to races every year, watch it whenever it’s on, stock up on paraphernalia and Wheaties, and have NASCAR keggers with heaps of buffalo wings and tortilla chips. The way they carry on, you’d think NASCAR drivers were Masters of the Universe or something. I would watch races if my husband were into it, but incidentally, I follow more sports than he does, so I thank the Lord, I don’t have to go there. I understand the burn of a diehard fan. I’m totally diehard for more sports than I care to mention, so I can identify with the craving to see events. But NASCAR on the radio? Really? NASCAR…on the radio. As if it’s not thrilling enough on TV, now you get the Audio Experience. I don’t get it. I mean I listen to contact sports on the radio, though football is a little hard for me to follow with so much going on, but I can’t imagine a race, be it runners, horses, kayaks or cars. On the radio. Can’t you find out the standings on the evening news? It’s not like a sport where a bad play or call matters. It’s a race. A race. On the radio.

I also don’t get why spandex and jelly shoes were ever popular in the 80's, considered wicked stylish even, and why they’re back with a vengeance, invading shopping malls everywhere. That's about the worst synthetic garb you can find. Put them together, and fashion police will be hunting you down, to ticket you for such a faux pas.

And.......

Why does every IHOP look like a dutch house? I mean, can't other nationalities be represented too? What's so important about the Dutch?

Why are the New Kids on the Block making a comeback? Sometimes you have to just let the dream die. Bye, Bye, Bye. Oops. Sorry. Wrong band. Really. Give it up.

Why do the rich and famous give their babies hideous names? As if they don't have enough attention already.

Why did Coca Cola think it was a good idea to change the formula for Coke in the first place?

Why on 9-11 was the U. S. military unable to protect the Pentagon, the most guarded air space in the world, after two planes had already struck the World Trade Centers and it was clear we were under attack? Wait. I think I know that one.

Why did David Lee Roth ever think he could make it as a soloist?

Why did Journey ever think they could make it without Steve Perry?

Why is Sid at Comcast's R&D stalling on the remote button issue on the cable box? It's a great idea! Lost remotes are a bane. A simple beep, beep, beep would save aggravation for all mankind.

Why do women think Johnny Depp is hot? Ick. Gabe Kapler now. There's some eye candy.

Why did the ruthless Little House writers hate Mary so? That poor thing. Four eyes. Ruptured appendix. Went blind as a teen. Baby died in a fire. It's difficult to find a character who's suffered more affliction. My heart still breaks for her.

Why are you still reading some freak's blog?

Why did Starbucks get rid of their coconut mocha frapp? Again! Even the brownie one is gone. It's a specialty drink nightmare!!!!

Why is my dad in yet another network marketing company?

Why can I not get a simple Marion Barber shirt?

Why are people on Facebook rude and unfriendly? Out of the thirty or so people I wrote on the fly, some strangers and others whom I knew in the distant, forgettable past, only one wrote me back. No more trying to make friends for me.

Why is Vanilla Coke so hard to find? Oh right. It's only in cans??? Those CC pushers get you hooked so you'll have to buy cans.

Why are pomegranate salesmen not getting MEGA bonuses? They're obviously working overtime. That stuff's in everything now.

Why is there no Red Lobster within 100 miles of me? I hate it. Those buttery herb rolls rock the house. They're the best ever and they've been snatched from me, so why do they keep torturing me with their commercials for all-you-can eat shrimp and crab legs.

Why is Sinbad not being used in more movies? He's soooo funny. Check out Houseguest if you haven't.

Why does my husband continue to root for his losing football team? I don't get it, but that's okay. I just get more in-season perks than he does.

And I don’t get perception, how you can hang a painting by a three-year-old in a museum and have passersby gush in awe when they assume it’s by an esteemed artist. Art is so subjective, but if we can’t tell the difference between preschool art and an impressionistic masterpiece, what does that say of skill or beauty? Doesn’t that dump them into a realm where excellence and technique don’t matter?

Writing is also a subjective art form because readers have different tastes. Some people only consider literary fiction to be worthy enough for their eyes, and perhaps classic literature, but definitely NOT that icky, annoying fiction with a firm plot, that actually moves somewhere rather than simply showing a slice of life or an arc in time.

I cannot imagine telling a story without plot. I need to have a point. Literary fiction, which tends to be more character-driven, has its place, but the most resonating works for me as a reader are those with good plots AND strong characters, which don’t sacrifice one over the other.

I cannot grasp how a writer can write a novel without some force jerking characters into danger or trouble or adventure or romance or galaxy treks. Why is there a belief and air that literary fiction is more sophisticated and excellent than genre or general fiction? A good story is a good story. Sacrificing plot for literary merit and recognition is just writing pretty words and plopping characters into a minimalistic storyline. Spending so much effort on form, strips you of free thought. Everything's all bound up in technique. Passion can get buried under all the glitz. Yes, you can certainly strive to create great literature, but also take time to cut loose. Whether you're a dancer, ice skater, painter or writer, you need to break free sometimes and find a style all your own beyond technique, to touch base with the thrill of the art.

That’s why three-year-olds can produce masterpieces. Such wall-worthy art is born out of pure joy and carefree gusto, and really, it is no less beautiful or sophisticated. Just ask the gushers at the museum or the moms who hang them on the fridge.

~ Signing off and sending out cyber hugs.

The Big Fix

I have a Red Sox room on the third floor in my house, but it’s not quite the kickin space I want it to be. Sure, we’ve got posters, B pillows, pennants and signs, but we have three televisions up there—one so old it has UHF and VHF dials, haha—and none of them work. Well, one works technically, but if you turn it off, you might not get it to come back on. The TELEVISION is a vital element to any sports room. What’s the point of having a sports room if you can’t, well, watch sports? I suppose we could grab chilled Cokes, pop some popcorn and discuss sports in it, but we can just as easily do that in the kitchen, which we do. So why bother to pack bags and make the long hike?

Since we want a properly functioning electronic device to top off our Red Sox domain, and with it being a sales-tax-free day today, we’re off to buy a new one. We definitely won’t be getting a plasma or anything with HD on the box because we’re not exactly rolling around in an extra 2 grand—or 4 grand if we're talking about the beauty we really want—and even if we were experiencing a windfall, we have two grammar-school-aged sons, who don’t at all grasp the concept of "hands off". We just want a TV that works.

We have all these has-been TVs that used to work well, were probably spectacular in their day, but they’re now headed for the heap...which oddly reminds me of ideas, that can start off great and end up going bust.

Sometimes you think of fantastic ideas. I know I have...just in case you couldn’t tell by my Creativity Gone Wild page.

Here's a jewel: I think all cable boxes should come with a pager button, that way when you lose your remote, you can make it buzz or beep or belch when you need it. Finding that sucker would be sooooo much easier, unless of course, it ended up in the freezer when you went to get that pint of Phish Food. Don’t worry. You’ll find it on your next trip. Comcast wasn’t that impressed with my much-desired concept. At least, I haven’t heard back from R&D, even though Sid PROMISED to get back to me. [Sid: The masses are hungry. Just ask ole Jimmer—who’s now cussin to spin the dead and jerkin up the back of his sinking jeans because he has to stand there and push the arrow on the box 450 times to get to the NFL network—about his thoughts on the matter.] Whatever. Regardless of whether or not they go with my idea, I still think it’s a great one. Needless to say, I don’t have Comcast anymore. I sure showed them.

Anyway, when you dream up and run with a concept that you assume will be astounding, only to find it stopping midstream or not reaching the climax in a powerful way—shut up and be mature :)—here are some things you can do to try to infuse it with life before chucking it into file 13.

Reassess all the goals of every character. All the main characters need goals. Change them up and bend them so your characters have opposing goals, which will create conflict. Conflict is cool. You want that.

Consider working in a subplot and or other genre threads to weave around your main plot. Could you add more suspense, a struggle at work, family drama, a personal issue like insomnia, a love interest, opposition from townies, a paper boy who wants his two dollars?

Perhaps your characters are the sultans of sabotage by being too dull or weak. Go back to your sketches and beef up each one, even for your minor characters, and even if most of those details never grace your pages. Jot down goals, both minor and major, worldviews, upbringing, dreams, demons, attitudes, personalities, quirks, habits, tastes, etc. Adding rounder characters will bring some vitality to your story.

Have scenes that show more and tell less. If you're explaining too much, it's creating drag, so no wonder your story is now stuck in mud.

Strive to make your big idea bigger.

Up the stakes. [That's not only for vampire slayers.]

Do some research on your story concepts. You may get the inspiration you need to take your story in a new direction.

Start over.

Let your character take a wrong turn or have a set back.

On the flip side, look for a character mistake that may have brought your story to a screeching halt. If Kellie was abused for years and years, finds courage and leaves, but later decides to go back to her maniac husband, she'll lose all sympathy with readers. Don’t let your MC wallow in self-pity or sit around doing nothing. No one likes a loser or an inactive blob. Readers want to root for someone. They like characters who try, and keep trying.

Consider adding a new character. Maybe your MC needs a bad influence, a sarcastic best friend, a cheerleader, a Debbie Downer co-worker or a dragon lady boss.

Brainstorm some more set pieces, the important events, moments of discovery or big changes that take place before the climax.

Write the ending then go back to where your story fizzled. Yep. After writing the first two chapters of my book, Kings & Queens, I wrote the last 2. I knew my final outcome exactly, and with a book as twisty and crazy as mine, I wanted to firmly mark that as my endzone to make sure everything headed towards it. Plus, I also wanted to pen it when my inspiration was most vivid. I ended up changing chapter 1 a great deal, but the end chapters remained basically the same, with minor tweaking and polishing.

Examine your story question, which is your throughline, taking readers from A to Z. Did you provide a good question at the onset but then provide the answer in chapter 13 when you have ten more chapters left? Your story should have a main story question that isn’t fully answered until the climax, or even the last sentence. Keep readers turning pages to find out the answer to that burning question.

Perhaps your big idea is as useless and junkyard-ready as my broken TVs, but before giving up, at least see if its worthy of repair. With some reassessment and elbow grease, you could turn trash into treasure. Give it a try and see.

~ Signing off and sending out cyber hugs.

Warring Passions

Yep. I figured it would come to this. I finally had to dish out some tough love on myself. My sports addiction has completely trounced and sacked my motivation to write. My slide into a drought occurred over the span of several months.

Last fall, after a 20-year hiatus, I found Celtics games interesting again and then yanked my basketball teammate from high school, who was a HUGE fan back in the day, along with me to kick off a new era of fandom. So in the spring, with the Celts wrapping up the Losers and sending them back to L.A. in their pretty purple bows and my Red Sox starting the season, aiming for another title, and of course, the NFL draft, with my Cowboys picking up the I-can’t-wait-to-see-him-play Felix Jones, my writing completely fell to the wayside and trickled into the gutter.

Even though it's summer, with there being less to watch, I still find plenty of sporty things to swallow my time. As a goal setter, I religiously wrote every day. And now, I’m lucky if I write once a week…or month even. I’m consumed with all things sports. On Sundays, I’m like, don’t even talk to me. If I can’t find a sport I love on TV, I’ll watch some other sport, like golf. GOLF. I actually watch that on purpose sometimes…and I’m interested in the outcome. What the heck is wrong with me?

I used to joke about being a sports addict, but now I really am. Over the course of three months, I’ve written two chapters, and I’ve drafted an outline and scratched some scenes. I could toss it up to needing a break from my manuscript, but who are we kidding?

So, in order for me to get any work done, I had to get tough with myself and lay down the law. Now, I cannot watch a game, turn on WEEI, check stats or click on my Sons of Sam Horn bookmark until I write, write, write, at least 500 words a day, which is approximately one scene. I gave myself Sundays off. I need to get back to my structured ways so I can stay creatively energized and keep my authorial juices flowing. Even if I don’t work on my novel every day, I need to put paper to pen, or fingers to keys or whatever my medium may be at a given moment, sometimes chalk or crayon, depending. And this blog doesn’t count. Sports needs to be a backburner thing, yeah right, but definitely cannot be the consumer of all my free time. Writing is the passion that needs to win here. Sports is something I love, but writing is what makes me, ME. What crazy distractions get in the way of your writing? Spill.

~ Signing off and sending out cyber hugs.

Friday, October 17, 2008

Nutty for NaNo

Okay. I caved to peer pressure. Everyone in my writing circle at The Next Big Writer has decided to jump into the perilous Nano waters. So who am I to not follow other crazy lemmings. We're all super busy working on various projects already, but we're going to put them aside for the mad rush to pen 50,000 words in thirty days.

If you're doing NaNo too, drop me a note on NaNoWriMo at majesticmadness so I can add you as a friend.

So what am I working on in November? Good question. A romantic core engulfed in speculative fiction/urban fantasy would be my guess, but that could change into something even more complex. What else pits a famous starlet against a gypsy...with fairies and other otherworldly creatures in the mix. I'm crazy, but I'll give it a whirl. November is the time for experimentation and going nutty. I'm so ready to jump. Join the madness.

~ Signing off and sending out cyber hugs.

Wednesday, October 15, 2008

Completely Addicted to Complexity

I've been working on this one scene today that is a sequel after something bad occurs, and so far, my scenes have all ended with tragedy, a definite turn in the plot or a cliffhanger. Every scene needs to be pertinent and forward moving, but I am driven to dig deep and find a major point for this scene beyond what's said in the dialogue. And why? Not because it's needed for the reader but because I need for there to be a major point. It is fine to have a breather scene, many books have them, but my mind can't be satisfied with that. My desire to grab readers by the throat cannot be squelched. Brutal I know, but I'm being honest.

I strive to bring readers on a stomach-turning ride, which incidentally in my latest novel, my characters are also experiencing, with there being at least three instances of regurgitation—vomiting for those not up on euphemisms. But in order for readers to appreciate and feel the rush of the hills, there must be some climbs and low spots now and again. I have such a difficult time letting go of what's complicated and challenging. I love to wrestle and rack my brain and can't seem to follow the road that's simple. But I do need to work on adopting some resolutions during the course, otherwise there is no rush at all and everything becomes dull.

Think of horror movies. The truly effective ones build, build, build, then shock once, maybe twice. But those that have killings throughout lose their punch. They push viewers beyond the threshold of fear and suspense turns off. Then you find people, what? Not cringing or hiding their eyes but laughing. Helpless victims being mutilated becomes comical. Not that you can't feature a serial killer on a rampage, but sometimes the unknown or the stillness where arm hairs raise is more thrilling and chilling.

The writers in my critique circle are all doing a Nano project. I would love to. I've thought about it, but with thirty days, I'm not sure how I could spin out a complex plot. I can't settle down into a linear idea. I could easily write a romance or a more simplistic suspense, but no, I've got this brain that won't quit dipping into the weird and crazy stuff and pulling in a montage of elements.

Am I the only one's who's addicted to twists and complexity, threading in various elements? I hope not. What a lonely trip the descent into danger, madness and uncertainty will be. I'd kind of like some company. I'm more of a people person than a loner. So if you're a freak like me, please identify yourself so we can unite in our quest for darker, weirder, odder realms. Thanks.

Write straight, write curvy, write on.

~Signing off and sending out cyber hugs.

Friday, October 10, 2008

Taking Drastic Measures to Bait & Hook

Let’s face it. Society has a sadistic bent, a lust to see others in turmoil, from the distant, lion-tearing days of the Colosseum to the present preliminary judging on American Idol, where wannabe singers have their dreams crushed with slashes to the jugular in front of millions of viewers.

Exploit that. If you work in any kind of marketing, you use what hooks. In fiction, the ultimate carrot, that glorious pot of gold, is conflict. Although we usually don’t like to be in the midst of anything bad or ugly ourselves, we do like to read about characters who are and aim to worm their way out of it.

Lack of action and struggle is boring. Yes, a work may be the perfect archetype of great literature if it exposes fascinating characters with beautiful language, but without the family feud that led to tragedy in Romeo and Juliet, the love story would have been forgettable and not worth the ink. The Oddysey would have been akin to I'll Be Home For Christmas with Jonathan Taylor Thomas rather than the epic it was if the journey home had taken ten kinda bumpy hours versus ten years of struggle.

In addition to good conflict, you also need a character who tries and keeps trying. No one wants to read about a victim who doesn’t strive to win. If yours curls up, hides and empties countless boxes of tissues and ice cream and doesn’t move, that wimp will drive your work into the toilet.

I’ve taken turns in my stories that have made me shake, laugh, bellow and cry, even just today while I was writing. Don’t back down from that which seems uncomfortable, perilous, excruciating and impossible. If you throw emotion into the work, heighten the stakes, and build up the adversity, readers will be impacted and hooked.

Conflict is the heart of any good story. And it’s best if it comes from all angles, inside and out. Don’t shy away from nightmares, agony and pressure. If your neck starts to tingle and tears start to fall, that’s good. Readers love when characters are in so much trouble that there seems no way out. So heap it on, dig the hole deep and start burying, leaving him or her with only a drive for self-preservation and a teaspoon. If your conflict and turmoil feels impossible to overcome, that’s what will make your book a page turner, something that can’t be put down. If you want readers who read and keep coming back for more, close the deal. Bait and hook. Go for the throat. Kill the best friend. Kidnap the kid. Make your work riveting. You can do it.

~ Signing off and sending out cyber hugs.

Wednesday, October 8, 2008

Wielding the Inner Sex Goddess

Even if you’re not writing romance or erotica, sometimes works require intimate physical moments and you can’t always close the bedroom doors and present smiling faces and dragon breath in the morning. For some writers, creating love scenes comes naturally and they can easily spare hesitance and shyness, lacking no detail. For others, they’d rather write about battle or economics or get root canal.

I’m not prudish or inhibited and can easily discuss sex or write a steamy scene, but if I need to have a scene in my work, I will always maintain some restraint because I think readers can get my gist without me providing nitty gritty details. I won’t use crudity nor will I throw in scenes just for the sake of having them. If I include physical scenes, kissing and beyond, my intention is never to be offensive or even to tantalize the reader. There’s always a vital reason for something being there, either to show conflict building up or resolving momentarily or to usher in more emotional turmoil.

For instance, in my latest novel, one of my characters seduces a widower who’s a Christian. I have to write some kind of scene—haven't gotten to that part yet—not to show them getting it on, but rather to show the emotional zigzags that occur during the act. Her reason for wanting him is not about arousal; it stems from selfishness and pain. It’s something she feels she needs. And he feels so guilty for falling into temptation and going against his God's will, that in the middle of it, he changes his mind, leaving her in a heap of rubble. They’re both affected by their actions and I have to show that moment so the rest of their love story makes sense and healing and resolution can come to these wounded souls in the end.

If you’re squeamish and need to write a passionate love scene, it’s best if you just go with the flow and write it as raw, heated, terrible, intimate or loving as it comes to you. If you try to juggle your blushing self with your sexy beast and your mom’s opinion and scripture verses, you won’t end up with a very good scene. It’ll be stilted, cheesy, awkward and icky for readers, like watching a virgin trying to score the big one in some 80's flick. Just write the scene. Then, once you have it, you can scale back and tailor it to fit your audience, your convictions and your purpose. Lovey, touchy moments, be they tasteful or spicy, don't have to be so scary. Write on!

~ Signing off and sending out cyber hugs.

Monday, October 6, 2008

Writing Exercise: A Sudden Sonnet or Something

I've already written a villanelle, which I think came out pretty good because they are so very structured and mine actually made some sense. To find out the form for a villanelle and read my poem, The Chill , click here . I seem to have an addiction to storytelling though because a tale always seems to emerge in my poetry. I tend to choose more straight forward language that's more 'storyesque' versus filling readers' ears with ambiguous earthy crunchy notes with the hope that they get what I'm saying. I have respect for poets who can pull in multiple layers and nuances like that, but I'm just not that skilled.

Since I'm always trying to push myself in unfamiliar directions, I thought I'd stir up the hidden poet in me again and whirl my pen for a sonnet. I included the basic rhyming structure for an English sonnet below in imabic pentameter—simply said, ten beats per line—so if you're equally inspired, you have it handy and can go for a spin yourself.

Here is my effort:

~ Forgotten You ~

(a) Alone on this well-trodden path I stride
(b) I strain for mem’ries I can’t seem to find
(a) Stories of yesterday melted inside
(b) Music fails to play in my cloudy mind
(c) I recall some kisses in pouring rain
(d) And steamy nights in strong arms by the fire
(c) The caresses and hugs I’d think would stain
(d) Are fluttering off like fairies of Ire
(e) I can't just look over and see your eyes
(f) Shadows have swallowed the treasures I’ve known
(e) I can’t seem to find you or hear your voice
(f) Where and who are you, who once was my own
(g) If I could just see you and hold you again
(g) I’d know my last walk would end with a friend

If you're not quite lyrically gifted but are a great storyteller, try giving your work some rigidity like in a sonnet or in a villanelle and find your inner poet. You'll never know whether or not you can do it unless you give it a try.

~ Signing off and sending out cyber hugs.

Saturday, September 27, 2008

The Neverending Red Pen

My red pen goes on, twirling, scribbling, crossing out. Are we ever finished with editing? Seems not.

There’s always something to be tweaked and scratched and altered and fixed, at least in my long fiction.

I’ve revamped and redecorated the prologue and first chapter for my novel Kings & Queens more times than I can even count: baseball intro—no not gripping, too kiddy—mock annihilation intro—scratch that too, for being a melodramatic cheat—back to baseball but with a completely different angle, darker tone and conflict. I suppose I should keep all my drafts, but I don’t. If I’m dissatisfied with something, why keep it around? It’s clutter to me. Some writers like to keep a record of how many versions they’ve had and changes they’ve made and they file them alphabetically with a color-coded graph and everything. Wow. I’m amazed at that level of organization. Skills I greatly lack. I'll definitely need to keep track of versions when I submit to agents, but for now, I just don't care.

I know where I started and can recall the big upheavals, but what I’m more interested in knowing is where I end up. I want the finished product to be excellent.

So again, for the umpteenth time, I’ve changed my prologue...a little bit. It’s always been short, but I hope it’s more gripping with it's new intro. Now I’ve got to go switch new for old on my various excerpts all over the web. I'll probably change it again. At some point I WILL let go of it. I promise.

Does editing drive you crazy? When does it ever stop?

~ Signing off and sending out cyber hugs.

Wednesday, September 24, 2008

Aiming for a Knockout

If you’ve ever been bitten by a story idea, an idea that seems compelling and interesting but could never be grand enough for a novel, try condensing it into a bite-sized flash. Take that story idea, build it as you would, then burn and carve away anything unnecessary. The basic structure should remain. Choose words and sentences that say much more than what’s written. Every word must be essential. The fewer the words, the greater the impact.

The purpose of flash fiction is to deliver the basic elements of a story—main character, conflict and resolution—all with an economy of words and a punch at the end. This final punctuation can be a twist, a chord of irony, a humorous note. The story can appear to be one thing only to be illuminated in the finale as quite another.

This blink-of-an-eye exercise forces you to create a snap shot in time and build suspense and the element of surprise with harnessed language. If you can wield tension powerfully in a flash fic piece with 500 words or less, just think what you could do in long fiction.

Try it out, be creative, have fun and aim for a knockout. The bloodshed and thrashing of your work, though brutal, will produce a beautiful piece of art.

~Signing off and sending out cyber hugs.

Friday, September 19, 2008

Cracking the Writers' Secret Code

Have you ever read a writers' forum or a blog and thought, huh? What in the world is everyone talking about? I'm totally lost. Why all the acronyms? Are these artsy fartsy weirdos in some secret society or something with its own language and handshake? I don't get it.

Yes, we are in a secret society actually, and we’re not actively recruiting at this time, but I’m nice and kinda rebellious too, not to mention a risk-taker, so although I can't cave on the handshake, I’m willing to share some of these secret codes so you won’t be so in the dark and can worm your way into the underground faction. But...ONLY read further if your promise to keep your source confidential. I’m really pretty fond of my fingers and tongue, thank you.

Finally, the mysterious alphabet soup codes of the WSWTFAYTAG are unlocked:

WIP = work in progress
POV = point of view

POVC = point of view character
MS = manuscript
MC = main character

PRO = Protagonist
ANT = Antagonist
NaNoWrMo = National Novel Writing Month, which is
November BTW
Nano = short for the above
cf. = confer, compare
e.g. = example
et al = and others
i.e. = means that is or in other words; frequently used incorrectly in place of e.g.
N.B. = note well
P.S. = postscript
DH = dear husband; not designated hitter as I now know ;)

DD/DS = dear daughter/son
MOD = moderator
S-MOD = Super moderator, they usually get a badge and a certificate how totally super they are
IMO = in my opinion
IMHO = in my humble or honest opinion
BTW - by the way
LOL = laugh out loud
ROFL = roll on floor laughing
LMAO = Laughed my a$$ off
NPI = no pun intended
TGIF = Thank God it's Friday
IA = I agree
ITA = I totally agree
IDK = I don't know
N/P = no problem
j/k = just kidding
j/w = just wondering
w/o = without
Thx = thanks
TY = thank you
YW = you're welcome
TC = take care
WTF = what the fu**
PP = new paragraph
SP = spelling error
GR = grammatical error
CC = correction
FYI = for your information
JSYK = just so ya know

DIY = do it yourself
FWIW = for what it's worth
BYOB = bring your own beer
WHC = we have cookies
BRB - be right back
GTG = got to go
HB = hurry back
WB = welcome back

AFC = away from computer, unless you're in a sports zone and in that case it'd be American Football Conference
CMYK = cyan, magenta, yellow and black/color plates used in printing
WYSIWYG = What you see is what you get, in reference to a web design program like Dreamweaver or CoffeeCup or a site like Wix.
IE = Internet Explorer
FF = Firefox
ISP = Internet service provider
URL = your website or blog address

AIM = AOL Instant Messenger
YM = Yahoo Messenger
AAR = Association of Authors’ Representative
P&E = Preditors and Editors
TNBW = The Next Big Writer
FB = Facebook
AD = Authors Den
BK = Burger King
MBIII = Marion Barber III, the Barbarian
G+ or Google+ = a secret society of social networking junkies
Tweet or Tweets = Twitter posts in bite sizes of 140 characters or less
RT = Retweet

Well, while this code cracking system won't get you into Bohemian Grove for their mock human sacrifice, at least writers will think you're one of the pack if you can speak the language. GTG. Have to work on my WIP and kick all my POVCs in the butt.

~ Signing off and sending out cyber hugs.

Tuesday, September 16, 2008

The Battle Between Blatant & Invisible

Every writer spills their own world views and opinions into their writing. And if you’re writing about such topical issues, as abortion, gun control, the death penalty, cloning, vegetarianism, it’s nearly impossible to keep your opinion silent. Generally why you’re driven to write such a piece is to make your point shine and sparkle while chucking mud at the opposing one.

While you can certainly use your writing to relay your convictions or teach moral lessons, it’s best if you don't use your characters or narrator as soap box speakers. Readers know when they've suddenly been jerked out of Middle Earth and dumped into church or a political pep rally, and since the bait-and-switch was never noted on the ticket, now you've got them steamed.

I am a Christian and cannot separate myself from my core beliefs. I can create other characters with different opinions than me and make them believable, but I could not write a book centered around evolution let’s say, because I believe God is the Creator of all. While I’m friends with atheists, wiccans and homosexuals because I’m interested in knowing and loving people regardless of what they believe, I cannot write something with the intent of spreading a message that is contrary to my views.

One of my threads in Kings & Queens follows a character’s path to redemption. It’s not the main point of the book, but it’s still resonating because of this character’s hunger and need to feel free and forgiven. Instead of preaching, I demonstrated God’s grace in his life, and I didn’t expound on it in the narrative. Since I’m writing for a mainstream audience, that’s not fair to readers who don’t believe in Jesus or the Bible to suddenly get dealt a sermon out of nowhere. I’m not trying to preach. I’m trying to show.

Now in my story’s context, it’s not a “Christian” book, and it doesn’t matter what a reader believes because my beliefs are in the character’s experience. With his sin being so wretched, God’s grace is strong enough to speak for itself. The door is open for someone to think, Hey, if God can forgive a person like that, then He could totally forgive me. I can still impact readers who have the same kind of hunger as my character without alienating and putting-off the rest.

My sequel, Sapphire Reign, gets darker and has spiritual elements also, but now I'm trying to demonstrate God's power and love. Because there's an underlining spiritual battle going on, it's been a challenge to keep that God-element low-key in the story. It needs to be there but not in an obtrusive way.

Sparks of inspiration are birthed out of conviction, but when you’re infusing that fire and fury into a piece, and you’re intending on marketing it to a broad audience, step away for a while, then come back to it and try and read it as someone with a different view. Even members of your choir don't like to be preached at. In fiction, it's a total groaner. Does your prose sound like a protest, a sermon, a pointing finger? Is it too obviously drenched in your beliefs that it no longer sounds like fiction? If so, you’ll need to rework it so that your point won't be so head-bashing. Subtlety works best. Try to show and demonstrate as much as possible and speak a whole lot less. Stay invisible as an author so your readers won’t be reaching for tomatoes and stones.

~ Signing off and sending out cyber hugs.

Thursday, September 11, 2008

My Symphonic Zone

I love being active, but due to a mild ankle sprain from a klutzy encounter with a pothole in May, my fitness rotation has been limited. Though I could walk okay the day after it happened, my ankle was swollen and ugly for several weeks and it had this mild pain deep in the tissue. I also had this strange weakness when I walked, like it could easily pop again and give out at any moment, so I’ve been hesitant to put tons of pressure on it.

Don’t get me wrong, Tae Bo, Strippercise and Zumba—which I just got the DVDs for and am laughing my way through—are a total blast, but I hate monotony and need a variation of things to choose from. And for me, they take so much concentration on form and technique that it’s difficult to focus on anything else. Speed walking or running is all about rhythm for me. I find this internal music, this beat that every part of me is tune with. When I’m in that zone, my poetic juices start flowing. I don’t normally feel so poetic because I’m mostly writing novels now, but when I’m away from everything, escaping a little bit, if I stay alert instead of dissolving into myself, my senses pick up on the charms around me.

Lilacs conquer exhaust fumes and breeze caresses my skin in silky wisps and dogs who are miles apart communicate something only they understand and I’m glad I chose Orbit gum cuz the flavor lasts way longer than Extra and some dude oddly grills steak in the morning, making me crave it for breakfast.

Spring was so colorful this year, it honestly put autumn to shame. I felt like I’d finally met the real Spring after being tricked for years by a charlatan. I’ve never seen it look more vibrant, the reddish purple of sprouting maple leaves, pink, white, orchid and yellow blossoms, the lush and varied shades of green from pale to rich, so gorgeous, it leaves me breathless, and I’m amazed there are actually people walking around who can’t see God’s hand and splendor in it all.

It’s now on the cusp of fall. I love when the days are a bit crisper. It beats the sweltering heat of the season gone. Autumn is my favorite, so perfect for playing football, hiking and whatnot. I love the pumpkins and hayrides, the colored leaves and candy apples, the crunchy frosty grass and MLB post season, especially when the Yankees don’t make it in.

Even though there’s a slight twinge in my ankle and it still doesn’t feel 100%, I tested it with a 3-and-a-1/4-mile walk-and-jog, mostly jog, yesterday and that went great. No pain or anything, during or after. My husband has the day off today and it's gorgeous outside, not too hot or cold. So, I’m gonna leave my watch and MP3 at home, put on my new but broken-in shoes and go for a real run today for the first time in like forever and get back in my zone. I cannot wait for the symphony.

~ Signing off and sending out cyber hugs.

Finding Plot in Your Characters

Though characters are invented to highlight a block of moments in Fiction Land, they need to feel like they’ve existed before that time. If your MC is 24, this means 24-years worth of relationships, past experiences and events have shaped her and made her who she is in your story’s today. Build her yesterday as fully as you can. You not only have roots and depth to expose, you can find inspiration and angles of conflict you never would have considered or seen. Out of great character development, you find plot.

As an example, let’s do a sketch for a romance suspense novel.

We’ve got a heroine, a month shy of 26, 5'6", not stick thin or heavy, but a little curvier than she’d like to be from eating frozen dinners and ice cream out of the carton on nights when she feels bummed. She has golden brown hair, which falls slightly past her shoulders, jade green eyes, nicely curved eyebrows, a sweet round face. She's a college graduate, but like so many, she can't catch a break or get recognized for her talent in photography, which is her passion. She loves to capture not just beauty but true life and grit. Her main desire is to work fulltime as a freelance photographer or photojournalist so she can quit her job working for Jonesy, a sleazy investigator. She FINALLY just moved out of her parent's house and has an apartment. At least it's her own space, decorated without one gaudy flower in sight, smelling of yummy dessert candles and NOT fried onions, but it's not exactly in the best neighborhood. She would also like to find love at some point but doesn’t believe it will happen for her. She wishes to be more optimistic but turmoil seems to find her. She’s feisty, spontaneous, strong-willed but shy.

Why is she shy? Was she abandoned, abused, picked on all through school? Maybe something makes her self-conscious. A physical problem like a limp or a scar. I’ll go with scars. And she was ridiculed for those scars, so they go deeper than skin. I’ll put a scar on her left eyebrow, where she has to pencil in hair, and a few faded gouge marks on her cheek. She’s very conscious of them. She never, ever puts her hair up, preferring to style it in waves to somewhat conceal them. She usually dips her chin when talking to people she doesn’t know. She hates that she does that because she wishes to project confidence, but it almost seems to be a response she can’t control.

What caused these old scars? Fall through a glass door? Car accident? Dog attack? Dog attack seems right. That will give her a hatred and fear of dogs with which I can use to create conflict?

Who will not only compliment yet contrast her but also have a love and appreciation for dogs? Our hero will be 28, legally blind, 5' 10". He can see light and vague forms, but everything is drenched in deep, blurry shadow. He never uses a cane in familiar places. Everything's mapped out and paced in his head, like musical numbers. He lives on the heroine's hall, and since she's moved in, they've been quibbling almost every day over trivial things.

He’s adventurous and loves to shatter the limits people place on him. He lives in routine: shaves his head every morning, eats a good breakfast, always something with eggs, works out at the gym, gets his coffee black then spikes it with a dash of cayenne pepper. He's a journalist by day, gourmet chef by night. He’s chatty, witty and opinionated. He’s built and athletic. He can play a good game of 3-on-3 b-ball, learned by paces and sound. He's a little too self-assured, thinks he's Han Solo, and doesn't know when to quit.

Everyone is always complimenting his eyes, but there's no agreement on color, some say blue, others grey, others green. He knew those colors in early childhood before he lost his sight from a head injury, but they’ve become shrouded by new ones brought on by sound, colors he’s sure no one on earth has ever seen.

He can identify people long before they speak, by their footsteps, jingling keys or scent. Despite his quick ascent up the reporter ranks, people tend to treat him like he’s deaf, mentally handicapped or incapable of living alone, with the exception of his best friend Teddy, the hot dog vender on Court Street, and this little spit fire on his hall. She's never once treated him like some freak of nature. He gets kicks out of picking fights with her because she gets so easily steamed.

With a hunger to take on meatier work, he decides to get a guide dog to help him on self-imposed assignments. Suddenly his hall friend is no longer around, at all. He was getting used to her too. Not like he was going to ask her on a date or anything. Finding love is the very last thing on his mind. His previous girlfriend, who often boasted of her 15/20 vision and attractiveness, moved out nine months ago after three years and left him with nothing more than some kissoff note his crazy mother, of all people, had to read to him.

His new dog pal, Skippy, a chocolate brown retriever he's told, is cool, adept and friendly. He never barks or growls, but he gives out a little gruff any time he's called Skippy. Our hero changes his name to Bud, which seems to be more to his liking.

Just as our heroine realizes her irritation with her hallmate is actually a scorching attraction, he gets of all things, a dog. A DOG. She knows it's one of those aid dogs, but still, it's a dog, and all dogs are evil.

These two destined lovers need a plot now, something that pulls them together and additional conflicts that threaten to drive them apart.

Since he's a reporter, maybe he’s following the path of a serial killer/rapist, who’s been terrorizing woman along the East Coast. And maybe his blindness gives him a keenness for seeing things others can't. Nuances. True character. Patterns. Our guy studies the facts and sees a pattern emerge regarding location and type of girl chosen. He tells his theory to the police, but they disregard him because he’s blind, and therefore stupid. He ends up being wrong in his first guess. He persists, sure he's on to something, and learns his spunky neighbor is hunting too. When they report their joint findings to the FBI, everything around them starts to squeeze, making them think the rapist could be a high ranking official or cousin of the President or something. They're forced to go on the run while they hunt and try to prevent another slaying.

So, we’ve got these two sparring individuals and a dog stuck together, which opens up a lot of conflict possibilities and emotion. How will they deal? Will his hellcat ex enter the picture, or his overprotecting, overbearing mother? Will our girl overcome her fear of dogs, at least enough? Who's next on the raping killer's list? Is the FBI really letting him get away or is something else going on? Will he be caught and punished? Will I make the heroine doubt the man she's with? Will love find a way and win out beyond all obstacles and dogs? Will I scrap the serial killer angle altogether and go for something entirely different? A fight for survival in some catastrophe? A tag-team effort for a story and while investigating, they uncover some conspiracy? No. That last one won't work because she'd never voluntarily be anywhere near a dog. Needs to be by force, no other option.

Guess you’ll have to read my next novel. ;)

This is the start of a brainstorming session. I did all that on the fly by simply looking at her and dissecting the word shy. Then I'll take this primary workup, and go deeper, studying motivations and what makes these characters tic so I can discover ways they can help each other. Both of them are self-focused and need to break out of that mindset in order for their love to work. The hero needs to help her see the beauty in herself that she can't see. And she needs to help him to trust and to not be so averse to relying on others sometimes.

This is why getting into a character’s head and examining those whys and what-ifs is so important. It’s not just about placing a marionette into your story to fluff it out; it’s about fleshing out, examining, finding the story that’s beneath the one you want and hope to tell. Characters can shape and steer your work in completely unexpected ways and give you fresh and interesting plot ideas. So go introduce yourself and get to know those creations of yours, inside and out. Then tell that story. That's your winner.

~ Signing off and sending out Cyber hugs.